Mark’s Top Ten: The Bradley Symphony Center
President and Executive Director Mark Niehaus walks through his top 10 favorite things about the new home of the Milwaukee Symphony Orchestra, the Bradley Symphony Center.
Read MorePresident and Executive Director Mark Niehaus walks through his top 10 favorite things about the new home of the Milwaukee Symphony Orchestra, the Bradley Symphony Center.
Read More
In this episode, Joshua and Erik lift the curtain on the mysteries of theater design. They discuss how seat layout impacts the way comedy is received, why some roadhouses have “absurd capacities,” and why Broadway theaters are so uncomfortable.
Read MoreOur very own Joshua Dachs weighs in on the conversation “Repensar el espacio. Cómo imaginamos los teatros del futuro” – Rethinking space. How we imagine the theaters of the future. Presented by Fundación Teatro a Mil and HowlRound Theatre Commons
Read MoreHere at FDA we’re committed to working toward ending structural racism in America. We certainly don’t have all the solutions, but we can listen, we can learn, and we can act. FDA commits to the following actions:
Read MoreA question we are asked all the time. So here is Cathleen Bachman, our head of Planning and Room Design with a brief overview. We believe in providing knowledge-based design through real world experience, and provide a range of core services to support that objective. Take a listen.
Expert brings proposed downtown arts center into focus
by Lawrence Cosentino
A national theater expert laid out the most detailed vision yet for Lansing’s proposed downtown performing arts center last week, moving a heavy ball carried by three mayors over 20 years a few more inches down the field of dreams…
Read the full article, originally published on the Lansing City Pulse
Read MoreFull original publication on AmericanTheatre.org
Editors Rob Weinert-Kendt and Diep Tran are joined by Joshua Dachs, the founder of theatre planning and design firm Fisher Dachs Associates. They discuss the recent controversies around the Public Theater’s Julius Caesar and theatre critic Hedy Weiss, and what each case says about free speech and censorship. Then Dachs talks about his essay about the cyclical history of theatre design, which anchors AT‘s July/Aug. ’17 theme issue about theatre architecture.
By Joshua Dachs
(originally written for, and publishing in, American Theatre Magazine)
The great minds of 20th-century theatre wanted to free our thinking about theatre spaces. How did we end up in a black box?
