Wang Theatre – Boch Center

Boch Center | Wang Theatre


The historic, 4,400-seat Wang Theatre, located in Boston’s theatre district, is a spacious, opulent hall typical of movie palaces built in the 1920’s. The architect’s award-winning historic renovation preserved the marble statuary and columns, colorful ceiling murals, the vast domed ceiling and arched walls, and the generous applications of gold leaf, crystal, and mirrors that give the hall its character.

FDA designed a new seating configuration, which created dramatically improved sightlines and greatly enhanced the ambiance of the hall by providing a greater degree of intimacy in the large audience chamber. Careful scheduling allowed the project to be completed in two phases. The first, completed in six weeks, improved sightlines and acoustics. New theatrical lighting systems were installed in Phase II. Even the most fundamental aspects of the renovation required a sensitive approach to updating the historical fabric without damaging or intruding upon the unique decorative surfaces.

The project has received numerous awards, among them a citation by the Massachussetts Historical Commission.

  • Client: The Wang Center
  • Architect: Finegold + Alexander
  • Lighting: Fisher Marantz Stone
  • Acoustician: Jaffe Holden Acoustics
  • Completion Year: 1992
  • Location: Boston, Massachusetts
  • Capacity: 4,400 seats

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Talking Stick Resort Amphitheatre (formerly Ak-Chin Pavilion)

Talking Stick Resort Amphitheatre (formerly Ak-Chin Pavilion)


Designed by FDA and completed in 1990, what was then called the Blockbuster Desert Sky Pavilion was built for presenting rock music on a large scale. With 8,000 covered seats and an additional 12,000-guest capacity on the lawn, the Pavilion has hosted some of the world’s most famous tours and popular music concerts. The venue opened in November 1990 with Billy Joel as the inaugural performer.

The pavilion enjoys high attendance especially in July and August, when it has historically held some of the country’s best known music festivals, including Lollapalooza, the Vans Warped Tour, and the Phoenix stop on the tour of the annual Mayhem Festival.

  • Completion Year: 1990
  • Location: Phoenix, Arizona
  • Capacity: 8,000 seats

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Great Lakes Center for the Arts

Great Lakes Center for the Arts


The Great Lakes Center for the Arts is a national destination known for unique cultural performances and events, a leading regional arts and arts education provider and an internationally recognized center for important intellectual dialogue. Since the curtains went up in 2018, the Center has presented a year-round line-up of programming across all genres, visiting artists, intellectual dialogue, movies and film, and educational programming, offering exceptional opportunities to bring world-class performances to the shores of Lake Michigan with virtually limitless possibilities to inspire, entertain, and educate.

The Great Lakes Center for the Arts is equipped with sound reinforcement, electronic architecture, show relay, and production communications systems. The sound reinforcement system is a multi-channel left/center/right system with line array loudspeakers. The system was designed to be rider-friendly, meaning that it meets the requirements of celebrity performers’ technical requirements contracts. An electronic architecture system has been provided and allows acoustics of the venue to be electronically optimized to match the varied requirements of the wide range of programming, from cinema to symphony. The EA system includes approximately 100 loudspeakers discreetly located with the audience chamber. These loudspeakers also support Dolby Atmos cinema sound playback.

  • Client: Great Lakes Center for the Arts
  • Architect: TowerPinkster
  • Completion Year: 2018
  • Location: Bay Harbor, Michigan
  • Capacity: 525 seats

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New York Public Library for the Performing Arts, Bruno Walter Auditorium

New York Public Library for the Performing Arts | Bruno Walter Auditorium


The Library for Performing Arts is one of four research centers in NYPL’s library system and houses an extensive collection of music, film, and theater materials. The collection includes recordings, videotapes, photographs, and manuscripts. The space provides areas to both view and listen to archival materials such as interviews with notable theater professionals or historic footage from the film and video collection.

The 202-seat Bruno Walter Auditorium hosts a variety of events, including concerts, dance performances, readings, audio/video presentations in a variety of formats, as well as private events. Upgrades to both the stage and house lighting in the auditorium, as well as some exterior lighting upgrades, will be completed in order to draw visitors to the library and improve its overall visibility and functionality.

  • Client: NYC Department of Design and Construction
  • Architect: Rice + Lipka
  • Completion Year: 2017
  • Location: New York, New York
  • Lighting: Fisher Marantz Stone
  • Capacity: 202 seats

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Spence School

Spence School


Founded in 1892 in a brownstone in Midtown, the Spence School is one of Manhattan’s best known secondary educational institutions for girls. The school’s facility on East 91st Street was in need of updates that would match the quality of the school’s academic and extracurricular programs.

After a 2001 master plan by FXCollaborative, a phased renovation began, including the construction of new classrooms, art rooms, a studio theatre, and key gathering and circulation areas. FDA consulted on the design of a new studio theatre for the school, which is flexible enough to accommodate a wide range of activities, performances, rehearsals and other special events throughout the school year.

  • Client: Spence School
  • Architect: FXCollaborative
  • Completion Year: 2008
  • Location: New York, New York
  • Acoustician: Cerami
  • Capacity: 100 seats

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Pingry School, Leola and Amos Hostetter Arts Center

Pingry School
Leola and Amos Hostetter Arts Center


Completing a vacant corner of a 1980 Hardy Holzman Pfieffer Associates design, this arts addition draws its character from aspects of the original building. The alternating rhythm of masonry piers and lightweight, copper-sheathed bays combines the appearance of the monolithic original front with the more industrial steel-sheathed back.

Housed within are the 235-seat Macrae Theatre and the small black box Attic Theater. Elsewhere there is an visual arts studio, an art gallery, music rehearsal spaces, and a dance studio. The program engages the outdoors with a series of controlled views, and utilizes the courtyard as a workspace and display area for the sculpture.

  • Client: The Pingry School
  • Project Category: Secondary Schools
  • Architect: Farewell Mills Gatsch
  • Completion Year: 2003
  • Location: Martinsville, New Jersey
  • Capacity: 235 seats

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Constellation Brands Marvin Sands Performing Arts Center (CMAC)

Constellation Brands Marvin Sands Performing Arts Center (CMAC)


Since 1983 the Finger Lakes Performing Arts Center, an outdoor amphitheater on the campus of Finger Lakes Community College, has hosted a variety of events during the summer months. It has been a venue for the Rochester Philharmonic Orchestra and the site of other musical performances including, a full concert schedule, for College as well as community activities. The College retains the services of the Rochester Broadway Theatre League as the promoter and programming agent for performances in the space.

The performing arts center has been renovated to upgrade the facility and to expand seating from 2,700 to 5,000 seats under cover and 10,000 or more on the lawn. FDA consulted on the design and sightlines of VIP seating areas, a new stage and orchestra shell, and new stage rigging and lighting systems. The project began in September 2005 and was completed in summer 2006. The state-of-the-art facility is now an attractive venue for an expanded slate of performing arts activities as well as a practical laboratory for some of the College’s educational programs.

  • Client: Finger Lakes Community College
  • Architect: LaBella Architects
  • Completion Year: 2006
  • Location: Canandaigua, New York
  • Capacity: 5,000 seats

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Getty Villa, The Barbara and Lawrence Fleischman Theater

Getty Villa
The Barbara and Lawrence Fleischman Theater


FDA was brought on board the Getty Villa design team by architects Machado + Silvetti. This project included renovations to the Museum’s original 1974 facilities and the addition of gallery space, classrooms, bookstore, a cafe and research library. FDA consulted on the design of the 250- seat indoor auditorium as well as the 450- seat outdoor amphitheater.

The smaller room, a sophisticated auditorium, was designed for classic museum lectures and presentations. Its stage is also large enough for dance and theatrical productions, and has the necessary green room and dressing room amenities for performances. FDA creatively integrated all of the technical equipment now expected for modern day productions without compromising the architect’s vision for this structure. The space is equipped with state-of-art stage lighting, rigging and drapery systems to facilitate quick changeovers with minimum effort.

The design of the outdoor theatre, carved into the Malibu hills, is based on the archetype of the ancient Greek amphitheater, and presents music, theatre and dance. FDA designed the technical infrastructure to allow touring groups to bring in their own lighting and audio equipment and plug-into the theatre’s systems for quick and easy setups.

  • Client: The Getty Center
  • Architect: Machado + Silvetti
  • Completion Year: 2006
  • Location: Malibu, California
  • Capacity:
    450 seat outdoor amphitheatre
    250 seat indoor auditorium

Links


Lincoln Center for the Performing Arts, Clark Studio Theatre

Lincoln Center for the Performing Arts
Clark Studio Theatre


The Clark Studio Theatre at Lincoln Center Institute is expressly designed to help teachers to teach the performing arts. This flexible performance space is a fully-equipped black box theater with sophisticated stage lighting and sound systems. The theater, technical workshops, and backstage spaces are designed to serve a number of functions, including performances of music, dance, and theater for students and teachers; workshops; readings and informal tryouts for meetings, and conferences.

Designed specifically to showcase Lincoln Center Institute’s repertory productions, the black box theater accommodates audiences of up to 120 people. Professional lighting and sound systems support the highest quality production values in the performing arts, and the space is equipped with a sprung floor specifically for live dance performances. Moveable seating can be rearranged to suit a wide variety of configurations. In addition, the theater has the capacity to broadcast live performances via a fiber-optic network that connects the Institute with New York City public schools.

  • Client: Lincoln Center Institute
  • Architect: Davis Brody Bond
  • Completion Year: 1991
  • Location: New York, New York
  • Capacity: 120 seats

Links

Snug Harbor Cultural Center, Music Hall

Snug Harbor Cultural Center, Music Hall


Robert Richard Randall founded Sailors’ Snug Harbor as a “haven for aged, decrepit and worn out sailors” with his benefactors’ bequest of 1801. Its Music Hall is the one of the oldest concert halls in New York City, second only to Carnegie Hall, and serves as the centerpiece for performing arts.

This renovation of the over 120-year-old Snug Harbor Cultural Center Music Hall is focused on creating men’s and women’s dressing rooms, a private dressing room, two stage managers’ offices, a green room, a pantry, lighting and HVAC systems, and additional storage and other back-of-house support spaces. Preservation of existing historically significant features and compliance with Actor’s Equity regulations take priority.

  • Client: NYC Department of Design and Construction
  • Architect: Cooper Joseph Studio
  • Completion Year: 2017
  • Location: Staten Island, New York
  • Capacity: 686 seats

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