United States Holocaust Memorial Museum

United States Holocaust Memorial Museum


FDA was asked to provide theatre consulting services to Pei, Cobb, Freed for both the 414-seat and 178-seat auditoriums in the Holocaust Memorial Museum.

A key challenge was to fit functional halls within a hexagon-shaped space dictated by the form of the upstairs Hall of Remembrance designed by the architect.

Both theatre spaces have sound systems for film and video, live microphones, playback of taped programs, and projection booths to accommodate a wide range of film and slide formats, lectures, film and video, and chamber music recitals.

Dressing rooms are provided for performers and lecturers at stage level, facilitating handicapped performer access. These auditoriums still, after 15 years, exceed in quality and capability most, if not all, museum lecture halls in the United States.

  • Client: United States Holocaust Memorial Council
  • Architect: Pei, Cobb, Freed & Partners
  • Lighting: Fisher Marantz Stone
  • Acoustician: JHS Acoustics
  • Completion Year: 1993
  • Location: Washington, Dist of Columbia
  • Building Size: 285,000 s.f.
  • Capacity:
    Auditorium 1: 414 seat
    Auditorium 2: 178 seat

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Saint Paul’s School

Saint Paul’s School


A soaring space for theatre and dance was designed to grace this private school’s lovely hillside campus. The music and adjoining dance buildings were designed as barn-shaped structures to match those in the surrounding countryside. The most noticeable architectural feature of this design is that it comes in two parts: the architect separated the music and dance buildings and connected them by an (invisible) underground base containing rehearsal spaces and offices for both departments.

Multiple levels, interior partitions that look like sets and a flexible configuration helped to make this space easy to set up and reconfigure for different kinds of theatrical presentations.

  • Architect: Hardy Holzman Pfeiffer Associates
  • Completion Year: 1980
  • Location: Concord, New Hampshire
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 280 seats

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Myeong-dong Art Theater

Myeong-dong Art Theater


The Myeongdong Theater is an exclusive theatrical performance center, which opened in 2009 in the building where the National Theater of Korea used to be located.

From 1934 to 1973, the National Theater of Korea pioneered Korean arts and culture, functioning as a movie theater, performance hall and art theater. Though it closed its doors in 1975, after 3 years of renovation by Samoo Architects, the theater has been renamed and was reopened as the Myeongdong Theater in June 5, 2009. After a completely new theatre space was built inside the original building, the theatre has now been reborn as a mid-sized performance hall with state-of-the-art stage equipment and 588 seats, offering audiences a great view of the stage while the close proximity allows them to share an intimate experience with the performers and audience members.

The theater presents a range of performances such as serious plays, experimental plays, non-verbal performances, and musicals. The theatre is also a popular venue for diverse events like acting contests, theater festivals and performance festivals.

  • Client: Myeong-dong – Chongdong Theater Foundation
  • Project Category: International
    Architect: Samoo Architects & Engineers
  • Completion Year: 2009
  • Location: Seoul, Korea
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 558 seats

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New Victory Theatre

New Victory Theatre


What is now known as the New Victory Theatre in Times Square was originally called the Theatre Republic when Oscar Hammerstein built it in 1900. Almost 100 years later, The New 42nd Street, Inc., a non-profit development corporation, directed an award-winning “interpretive restoration” of the theatre and it re-opened as a fully equipped, 500-seat, state-of-the-art facility.

This project led the way to the comprehensive redevelopment of New York’s 42nd Street and has been notable in attracting other significant entertainment interests, including Disney, to the Times Square Business District.

Carefully preserving the building’s sculptural ornament and trompe d’oeil painting, the architect and theatre consultant retained the spirit and recreated the detail of the original turn-of-the-century theatre. The building’s technical systems have been thoroughly updated to contemporary requirements.

FDA designed new seating configurations to improve sightlines, reorganized backstage facilities, and specified new lighting, rigging, and other technical equipment to make this facility state-of-the-art. New, enlarged public lobbies were created and elevators installed to provide complete access to all levels.

  • Client: The New 42nd Street, Inc.
  • Architect: Hardy Holzman Pfeiffer Associates
  • Completion Year: 1995
  • Location: New York, New York
  • Lighting: Fisher Marantz Stone
  • Acoustician: Jaffe Holden Acoustics
  • Building Size: 35,750 s.f.
  • Capacity: 500 seats

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St. George Theatre

St. George Theatre


Opened in December 1929, the St. George Theatre in its day was the most magnificent theatre on Staten Island — the island’s newest movie and vaudeville house — and it outshone most of its competitors, including Manhattan’s Capitol Theatre on Broadway. Until 1972 the theatre managed to stay open as a movie house, after that it was used as a roller rink, an antiques showroom, and a night club. In 2004, after being padlocked for over 30 years, the theatre became a performing arts center.

Upgrades during Phase I of the current renovations include the design, fabrication, and installation of an entire new rigging system, as well as the design, fabrication, and installation of a new exterior.

  • Client: NYC Department of Design and Construction
  • Architect: W+H Architects
  • Completion Year: 2017
  • Location: Staten Island, New York
  • Capacity: 1,900 seats

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Hobart and William Smith College | Bartlett Theatre

Hobart and William Smith College | Bartlett Theatre


Located in Coxe Hall, a grand Jacobean-style building designed by Clinton and Russell Architects and constructed in 1901, Hobart and William Smith College’s Bartlett Theatre is currently home to all of the Theatre Program’s productions on campus.

Coxe Hall is named for Bishop Arthur Cleveland Coxe, a benefactor of the school. Bartlett Theater shares the Hall with the president’s office, The Pub, and a classroom wing, which was added in the 1920s.

In 1942, the space beneath was renovated to add dressing rooms, and later a prop room which at that time was part of the Student Union. In 1970, with a donation from Mrs. Blanchard Bartlett Walker, the theatre was updated and dedicated to Blanchard H. Bartlett, director of the Theatre Program from 1919-1936.

The HWS Theatre Program combines opportunities for live performance with a variety of courses in theatrical production, performance, theory, history and literature; and student- and faculty-directed productions are presented in Bartlett Theatre.

  • Client: Hobart College
  • Architect: Platt Byard Dovell White
  • Arch. of Record: Armstrong / Cummings
  • Completion Year: 1988
  • Location: Geneva, New York
  • Capacity: 266 seats

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Olympia Theater at The Gusman Center for the Performing Arts

Olympia Theater
Gusman Center for the Performing Arts


Formerly known as the Gusman Center for the Performing Arts, Olympia Theatre in downtown Miami opened in 1926 as a silent movie palace and amazed residents with its Moorish-themed ‘atmospheric’ architecture. Originally designed by John Eberson, it was renovated extensively in the 1970’s by famed Miami architect Morris Lapidus and re-opened as the home of the Florida Philharmonic Orchestra.

In 2003, the 2,000-seat theatre was given a new, phased renovation. The design team carefully restored the building’s intricate original plaster work and decorative painting. FDA updated the building’s technical systems with new stage rigging and lighting, and inconspicuously added a new stage lighting cove in the ceiling over the main auditorium to preserve the building’s original star ceiling (an Eberson trademark).

FDA also designed new seating layouts to improve the sightlines of the hall and bring the theatre into compliance with present-day ADA accessibility requirements. Work on the Gusman Center continues with lobby restoration; plans for a backstage addition are also under consideration.

  • Client: Gusman Center for the Performing Arts
  • Architect: R.J. Heisenbottle
  • Completion Year: 2003
  • Location: Miami, Florida
  • Acoustician: Artec
  • Capacity: 2,000 seats

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Ursinus College, Kaleidoscope Performing Arts Center

Ursinus College
Kaleidoscope Performing Arts Center


Opened in the Spring of 2005, “The Kaleidoscope” was designed as a home for the Ursinus College’s new Theater and Dance Majors.

The complex supports both academic and extra-curricular programs. The 350-seat Lenfest Theater is Ursinus College’s first proscenium stage. The auditorium consists of an orchestra level and balcony with side seating boxes. The stagehouse provides the necessary width to accommodate dance as well as full counterweight rigging for all performance types. A motorized orchestra lift can create an orchestra pit or expand the stage when desired.

The flexible studio space has been provided with a wire rope grid so that lights can be safely hung anywhere in the room. A system of demountable platforms allows the studio to be set up in varied configurations. A large rehearsal room, scene and costume shops, dressing rooms, classrooms and faculty offices are provided to support the two performances spaces FDA began work with Ursinus College and Perry Dean Rogers during the programming phase. The performing arts center is the first of 3 major facilities programmed for the campus: new music and visual arts spaces are planned.

  • Client: Ursinus College
  • Architect: Perry Dean Rogers
  • Acoustician: Jaffe Holden Acoustics
  • Completion Year: 2005
  • Location: Collegeville, Pennsylvania
  • Building Size: 55,000 s.f.
  • Capacity:
    Proscenium Theater: 350 seat
    Black Box Studio: 140 seat

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Irish Arts Center

Irish Arts Center


The Irish Arts Center (IAC) is a home for cultural exchange with Ireland, a place for creation and development of new productions, a venue that supports cross-collaborations between US and Irish artists in many disciplines, and a center for educational programs that serves both the Irish-American and larger community. For most of its existence, the IAC operated out of a converted three-story tenement building, whose ground floor garage was transformed into a small theater. Our new expansion develops an adjacent new building on 11th Avenue which is connected to the original facility, creating a center with two venues, as well as associated support, classroom, and rehearsal space.

The renovated and expanded IAC houses a 199-seat flexible theater, rehearsal studio classroom, multi-purpose classroom, exhibit areas, and a café as well as the restored 99-seat historic theater. It provides spaces for collaboration among the creative disciplines of music, theater, dance, film, comedy, literature and the visual arts. The new theater is used for drama, spoken word and music, and was designed to provide a flexible and neutral backdrop for set design while retaining a distinct character when used as a music venue. The solution was an interior of dark stained sacrificial plywood panels that allow for the adaptability of a “black box” yet still provides a sense of warmth and richness when the lights are on.

  • Client: Irish Arts Center
  • Architect: Davis Brody Bond
  • Acoustician: Jaffe Holden Acoustics
  • Completion Year: 2020
  • Location: New York, New York
  • Size: 21,700 sf
  • Capacity: 199 seats

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Lensic Performing Arts Center

Lensic Performing Arts Center


The renovation of this 70-year-old theatre was envisioned to result in a home for eight regional arts organizations, presenting music, drama and dance, as well as to house national tours. The task facing the design team was to bring the technology and patron accommodations of the Moorish/Spanish Renaissance facility into the 21st Century while retaining every bit of its over the top architectural splendor. There was a lot to preserve: the theatre, built in 1931 as a Vaudeville house, was hailed when completed as the “wonder theatre of the Southwest”, and hosted Ronald Reagan, Judy Garland, and Roy Rogers, among other performers.

To provide flexibility for a wide range of complex production requirements, FDA incorporated a permanent concert lighting system within a new moveable orchestra shell; raised the fly tower to better accommodate theatrical rigging, added new dressing rooms, concession bars, box office, and catwalk, enlarged the orchestra pit, and provided a 60′ deep rear stage. The restoration carefully preserved historic murals and decorative chandeliers.

The Lensic Performing Arts Center was awarded a Citation in Design Excellence by the American Institute of Architects Western Mountain Region.

  • Client: Lensic Theatre
  • Architect: Craig Hoopes and Assoc.
  • Completion Year: 2001
  • Location: Santa Fe, New Mexico
  • Acoustician: Purcell, Noppe & Associates
  • Capacity: 820 seats

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