Steelhouse Omaha

Steelhouse Omaha

Photo Credit: Joshua Dachs (FDA), Robert Campbell (FDA), and Bruce Damonte


Steelhouse Omaha is a live music venue and flexible space with a standing capacity of up to 3000, managed by Omaha Performing Arts (O-pa). This unique $104.1 million dollar performance space will provide the opportunity to present new and innovative programs in non-traditional layouts.

“This new venue is a significant investment expanding O-pa’s downtown presence and reinforcing the board’s commitment to offer outstanding venues attracting artists from all over the world,” said Omaha Performing Arts Board Vice Chair Jack Koraleski. “Steelhouse Omaha fits in perfectly with the many other exciting changes taking place along our riverfront and couldn’t come at a better time for our community. We are grateful to our donors who made this possible, and can’t wait for the grand opening in 2023.”

  • Client: O-pa (Omaha Performing Arts)
  • Architect: Ennead Architects
  • Acoustician: Threshold Acoustics
  • Completion Year: 2023
  • Location: Omaha, Nebraska
  • Building Size: 103,000 sqft
  • Capacity: 1500-3000

Links


John A. Paulson Center at New York University (NYU)

John A. Paulson Center — New York University (NYU)

Photo Credit: Connie Zhou / JBSA | (Courtesy of Davis Brody Bond)


The Building

The John A. Paulson Center is a 735,000-square-foot mixed-use academic building that graciously accommodates NYU’s academic needs, embodies its character and vibrancy, and offers new ways for the University to engage with its community and the city of New York.

Designed to optimize interactions between diverse student groups and academic disciplines, the building includes classrooms, informal study spaces, performing arts theaters, rehearsal and practice rooms, varsity sports facilities, a recreational gymnasium, and a café, as well as faculty and first-year student housing. Each of these spaces is organized into a unique “neighborhood” that is connected to an open and expansive commons area for collaborative study, meeting and gathering.

Designed in support of NYU’s Climate Action Plan, the building incorporates sustainable design features to reduce greenhouse gas emissions, water consumption, and the amount of waste generated during construction and everyday use. The building is connected to NYU’s existing Co-Gen plant that simultaneously produces electricity, heat, and chilled water. In contrast to conventional energy sources, the CoGen plant substantially reduces the number of resources used, as well as greenhouse gas emissions and air pollutants.

By bringing together a diverse mix of spaces into a single building designed to encourage connection and community engagement, the Paulson Center builds a multidisciplinary community commensurate with the University’s reputation, along with its creative and academic diversity.

Commons

The central, light-filled, and expansive Commons forms the heart of the building and of student activity and reinforces the building’s openness and accessibility. The Commons features a café, along with flexible study and gathering places for public performances and events. Spanning Mercer to Greene Street, the Commons is visible on both the east and west facades and offers an elevated view of Picasso’s Bust of Sylvette sculpture.

Performing Arts Space

Tisch School of the Arts and Steinhardt School of Music are both housed at the John A. Paulson Center, making performing arts one of the largest components in the multi-use facility with 195,000 square feet between the two schools.

This new facility is home to a wide variety of learning environments for the world-class drama and music programs, with dedicated and collaborative spaces for teaching, learning, rehearsing, and performing. Highlights include:

Iris Cantor Proscenium Theatre. This is the first, professional-level proscenium theater at NYU. It can function as a Broadway-sized stage and fly tower or transform into a music concert hall perfectly sized and tuned to accommodate a wide variety of performances, including musical theater, film, spoken word, drama, and orchestral ensembles. Of note:

  • 350 seats over three levels
  • Features: a fly tower and lighting galleries, stage trap, overhead catwalks, orchestra shell and reflectors, canted throat walls adjacent to the proscenium for acoustic projection, followspot booth, and control booth
  • Large, mechanized orchestra lift that allows for various configurations such as audience seating, extension of the stage, and extension of the orchestra pit
  • Three floors of lobby space that seamlessly connect to the broader NYU community and theatergoers

Warehouse Theatre. This unique, experimental theater provides a flexible space for Tisch graduate students to explore and innovate. It features:

  • 140 seats
  • Use of a Modtruss system to create the inner box, which is a fully demountable wall system made up of modular, reconfigurable elements
  • An overhead catwalk system with moveable catwalk trolleys
  • Fully reconfigurable seating platforms

African Grove Theatre. Named for the nation’s first black theater which was found on this same city block in 1821, the traditional end-stage theater features a range of flexible components that support the Tisch graduate department curriculum, including:

  • 145 seats
  • A flexible seating well that provides opportunities for innovative performances
  • Motorized rigging

Ensemble Rehearsal Room. Sited within the landscape at the top of the podium, the orchestra ensemble room sits between two green roofs. The technologically innovative space is the crown jewel of the Steinhardt School of Music program. It features:

  • A double-glazed wall providing visual connection to the exterior while acoustically separating the spaces from the noisy outside environment
  • Slatted, faceted walls to help control the acoustic quality in the space
  • Acoustic banners along the perimeter of the space to absorb and create different types of acoustic environments
  • An adjacent control booth that can serve as a recording studio

Theater and Music Support Spaces. In addition to the dedicated theater spaces and the orchestra ensemble room, the new building also provides a range of areas for Tisch and Steinhardt graduate and undergraduate students to rehearse, collaborate, and experiment. They include:

  • 2 cabaret studios
  • 3 dance studios
  • 3 general purpose studios
  • 58 music practice rooms
  • Large ensemble music classroom
  • Percussion studio
  • Music instruction rooms
  • Music library
  • Dressing rooms
  • Woodshops and metal shops
  • Wardrobe work rooms
  • Client: New York University
  • Architect: Davis Brody Bond
  • Arch. of Record: KieranTimberlake
  • Constructrion: Turner Construction Company
  • Lighting: Tillotson Design Associates
  • Acoustician: Jaffe Holden
  • Completion Year: 2022
  • Location: New York, New York
  • Building Size: 735,000 s.f.
  • Capacity:
    Iris Cantor Theatre: 350 seats
    Warehouse Theatre: 140 seats
    African Grove Theatre: 145 seats

Links


Related Projects


SUNY Oswego, School of Communications Media and the Arts (SCMA)

SUNY Oswego, School of Communications Media and the Arts (SCMA) | Tyler Hall

Photo Credit: Esto | Chris Payne


Tyler Hall is the visual and performing arts building at SUNY Oswego, a public university in New York. It was built in 1965 and underwent a major renovation from 2015 to 2018, costing around $40 million. The renovation aimed to improve the facilities, accessibility, and aesthetics of the building, as well as to create new spaces for artistic expression and collaboration.

FDA, SUNY Oswego, Pfeiffer Partners, and the State University Construction Fund, were responsible for the space programming and concept design, among other improvements, for the newly formed School of Communication, Media and the Arts (SCMA). The new school will be accommodated in two fully renovated buildings, as well as a possible new addition.

Some of the features of the renovated Tyler Hall are:

  • A lobby with a curved-glass theater façade and large windows that fill the space with natural light. The lobby also connects to an enhanced art gallery that showcases a wide range of artistic voices and points of view ²³⁴⁶.
  • The modernized accessible 525-seat Waterman Theatre eliminates long continental seating rows and improves sightlines. Technical systems have been updated and expanded, including new stage dimming and lighting controls, pit lift, stage floor and traps, fire curtain, and expanded multimedia capability. 
  • A two-story music rehearsal hall that doubles as a recital hall for ensemble performances. The hall has a high ceiling, wood paneling, and large windows that create a spacious and elegant atmosphere³⁴⁶.
  • A choral rehearsal room that accommodates vocalists and choirs. The room has soundproof walls, adjustable acoustics, and a piano³⁴⁶.
  • A digital arts lab that provides students with access to cutting-edge technology and software for creating digital media, such as animation, video, and graphic design³⁴⁵.
  • A recording studio that offers state-of-the-art equipment and facilities for sound design and audio recording. The studio is connected to the music rehearsal hall and the theater, allowing for live recording of performances³⁴⁶.
  • A redesigned lab theater that serves as a flexible and intimate space for experimental and student-led productions. The theater has movable seating, lighting, and sound systems that can be adapted to different configurations and genres³⁴.
  • Updated studios for artistic disciplines, such as painting, drawing, sculpture, ceramics, photography, printmaking, and metalsmithing. The studios have new equipment, ventilation, storage, and display areas³⁴.
  • A costume shop that supports the theater department with sewing machines, dress forms, fabric racks, and fitting rooms. The shop also has a laundry room and a dye room for cleaning and customizing costumes³⁴.
  • Modernized classrooms, offices, and collaborative spaces that enhance the learning and working environment for students and faculty. The spaces have smart technology, ergonomic furniture, natural lighting, and colorful accents³⁴.
Sources:
  1. Tyler Hall. https://ww1.oswego.edu/tyler-art-gallery/.
  2. Tyler Hall renovation plans expanded – SUNY Oswego. https://www.oswego.edu/communications-and-marketing/release/tyler-hall-renovation-plans-expanded.
  3. Tyler Hall renovation featured in Architect Magazine – SUNY Oswego news. https://www.oswego.edu/news/story/tyler-hall-renovation-featured-architect-magazine.
  4. Institutional strength | SUNY Oswego’s 2015-16 Annual Report. https://www.oswego.edu/annual-report-2016/institutional-strength.html.
  5. Tyler Hall Renovation – Oswego Now. https://oswegonow.net/news/oswego-county/tyler-hall-renovation/.
  • Arch. of Record: Pfeiffer Partners
  • Completion Year: 2015
  • Location: Oswego, New York
  • Capacity: 525 seats

Links


Related Projects


Stanford University, Frost Amphitheater

Stanford University, Frost Amphitheater

Photo Credit: Harrison Truong


Frost Amphitheater underwent a renovation that maintains the quality and character of the venue, a tree-lined bowl next to Bing Concert Hall in Stanford’s arts district. The improvements support two distinct functions: a public face with adequate amenities to enhance the audience experience, and a service side to enable ease of operations and the performer experience.

The stage was reconfigured with a permanent canopy. An associated back-of-house building, screened by the stage wall, provides much-needed program support spaces, including a green room, dressing rooms, catering space, and restrooms.

On the audience side, a new access tunnel and new pathways nestled into the trees provide better access to the seating areas, while two new wood-clad restroom buildings provide much-needed amenities. Out of sight, but still critical to the venue’s function, a new loading dock and tunnel complete the backstage improvements, dramatically improving production access to the venue.

  • Client: Stanford University
  • Architect: CAW Architects
  • Completion Year: 2019
  • Location: Stanford, California
  • Capacity: 8000 standing

Links


Related Projects


Artis—Naples, Naples Philharmonic, Frances Pew Hayes Hall

Artis—Naples, Naples Philharmonic

Frances Pew Hayes Hall

Photo Credit: Artis—Naples Media Resources Online


The handsome, 90,000-square-foot arts center in the planned community of Pelican Bay houses two theatres, as well as painting, sculpture, and photography galleries.

Frances Pew Hayes Hall is a 1,477-seat multipurpose space designed for music, theatre, dance and touring shows. The hall is the permanent home of the Naples Philharmonic and the second home of the Miami City Ballet. The hall also presents a wide variety of touring events like “Fiddler on the Roof,” “A Chorus Line,” and “Lost in Yonkers.”

The Myra Daniels Pavilion, named for the energetic community leader whose efforts brought about the Center, seats up to 300 patrons. It is a flexible studio theatre used for chamber music, cabaret, lectures, dance, as well as other events with less elaborate staging requirements than Hayes Hall.

  • Client: Philharmonic Center for the Arts
  • Architect: Aubrey Architects
  • Completion Year: 1989
  • Location: Naples, Florida
  • Acoustician: Robert Tanner
  • Building Size: 90,275 s.f.
  • Capacity: 1477 seats

Link


Mahaney Center for the Arts, Middlebury College

Mahaney Center for the Arts, Middlebury College


The Mahaney Center for the Arts was designed for art exhibition and performance (the spaces include a surround concert hall, a studio theater, and a dance performance space), and also as a home for academic programs in theater, music, and dance. When it was complete, it became centerpiece of a major expansion and renovation program at Middlebury.

A large stone and wood-shingled building houses music, theater, dance, and an art gallery. The main component is a 400-seat, horseshoe-shaped room for recitals and concerts. Additional elements of the program included a flexible 150-300-seat experimental theatre, a dance studio, music library, more rehearsal space for music and drama, classrooms, offices, and art galleries for permanent and touring exhibitions and workshops. The concert hall and experimental theatre share workshop space, a green room, and rehearsal rooms on both the main and lower levels of the complex.

In addition to planning the performance spaces, FDA collaborated closely with HHPA to allow the building’s multi-story lobby to double as a reception area for student concerts, plays and private events.

  • Client: Middlebury College
  • Architect: Hardy Holzman Pfeiffer Associates
  • Completion Year: 1992
  • Location: Middlebury, Vermont
  • Acoustician: Jaffe Holden Acoustics
  • Building Size: 97,000 s.f.
  • Capacity: 400 seats

Links


Lyric Theatre

Lyric Theatre


Reconstructed from the combined vintage 1903 Lyric and 1920 Apollo music theatres by entrepreneur Garth Drabinsky, the Hilton Theatre, on New York’s reinvigorated 42nd Street, is an 1,821-seat theatre with an atmosphere of pure fantasy.

The theatre, which re-opened in 1997 as the Ford Center for the Performing Arts before being renamed the Hilton, was designed to adhere to the guidelines for development established by The New 42nd Street to “promote the preservation, restoration and reconstruction of the historically significant elements of each theater.”

The challenge was to find a way to take two theaters that were sadly deficient in most areas required for a Broadway musical house-such as seating capacity, size of stage, proscenium opening, handicapped access, dressing rooms, lobby areas and public toilets, to name a few-and create a theater that adhered to today’s standards. The Hilton Theatre incorporates many elements from the Apollo and Lyric theaters, such as the Lyric’s magnificent Turn of the Century 42nd and 43rd street facades. Key historic interior elements of the Apollo also were used to establish the look of the rebuilt theater.

  • Client: Livent Theater
  • Architect: Beyer Blinder Belle
  • Completion Year: 1997
  • Location: New York, New York
  • Capacity: 1,800 seats

Links


Lucas Theatre

Lucas Theatre for the Arts


This 1920’s theatre was neglected and deteriorating before it was rescued by a local non-profit organization. The goals were simple: save the architecturally significant building, modernize all safety, environmental, and performing systems, and return it to its original use as a center for performing arts.

The project was completed in three phases – exterior facade, interior demolition and interior renovation. All major building systems were replaced, and decorative interior treatments were fully restored. FDA updated accessibility and theatrical infrastructure, inconspicuously weaving the new technical systems into the structure’s historic fabric. The lighting design reflects the original multiple sources and colors that fade and build as part of the patron experience. A totally new marquis shelters patrons, and the facade’s exterior lighting makes the Lucas a permanent part of Savannah’s night life.

The total building area is approximately 27,750 square feet and the building has a seating capacity of approximately 1,400. Its location in Savannah’s Historic District, immediately off Broughton Street, forms the most important piece of Savannah’s planned theatre district.

  • Client: The Lucas Theatre
  • Architect: Forrest Lott
  • Completion Year: 2001
  • Location: Savannah, Georgia
  • Building Size: 27,750 s.f.
  • Capacity: 1,400 seats

Links


Guthrie Theater

Guthrie Theater

Photo Credit: Richard Hackman (FDA)


The original home of this important regional company was built in the early 1960’s and the Guthrie has been struggling with major space deficiencies ever since. With its badly aging 35-year old home no longer sufficient for either its present programs or new ones, the Guthrie embarked on a plan for a new three-theatre complex.

In addition to bringing all of its operations under one roof, the Guthrie’s goal was to expand its mission while retaining the legacy of one of the most unique thrust theatres in the world. Consequently, the new project includes a near replica of the original 1100-seat thrust theatre. FDA retained the asymmetry of that room, including the unique steep slope of seats on House Right. The additional spaces include a 700-seat proscenium theater and a flexible 200-seat ‘studio’ theatre, along with the requisite support spaces, shops, rehearsal, and administrative spaces.

FDA worked closely with Artistic Director Joe Dowling to develop a highly detailed building program, which went through several iterations as needs and aspirations were balanced against resources. The three unique stages allow Artistic Director Joe Dowling multiple venues for a wide range of production formats, from the classical work for which the Guthrie is best known to experimental theatre and new plays.

  • Client: Guthrie Theater
  • Architect: Atelier Jean Nouvel
  • Arch. of Record: Architectural Alliance
  • Completion Year: 2006
  • Location: Minneapolis, Minnesota
  • Acoustician: The Talaske Group
  • Capacity: 2,000 seats

Links


Javits Center

Javits Center


FDA consulted on the Jacob Javits Center’s 30,000 square foot Special Events Hall. The Special Events Hall can seat up to 3,200 for theatre-style meetings and 1,200 for banquets. The Hall includes a proscenium stage with motorized rigging and performance lighting. To ensure maximum flexibility, the Special Events Hall features a network of strong points in the ceiling for hanging lighting trusses and event rigging, as well as power for lighting and machinery.

As the Javits is one of the largest and most flexibly used event spaces in New York City, the client required rigging and lighting systems for ancillary meeting rooms and larger spaces used frequently for events. In addition to our work on the Special Events Hall, FDA consulted on rigging and lighting infrastructure for events in the 15 story Crystal Palace. FDA also designed flexible lighting control systems for the Javits Center’s many meeting rooms.

  • Client: City of New York
  • Architect: Pei, Cobb, Freed
  • Completion Year: 1985
  • Acoustician: Jaffe Holden Acoustics
  • Location: New York, New York

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