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Marlborough College, Memorial Hall

Marlborough College, Memorial Hall


Memorial Hall is Marlborough College’s principal memorial to the 749 men who gave their lives in World War I. The hall was built by Messrs Holloways of London at a cost of £53,000. The design was the result of a competition between Old Marlburian architects, the adjudicator being Sir John Simpson, President of the Royal Institute of British Architects. The winning design was that of William Newton. It was opened by H.R.H. The Duke of Connaught on May 23, 1925.

The hall stands to the west of the Court (at the center of the College) and is linked to the chapel by means of stone steps leading down to the its brick-paved forecourt. It was originally designed to have a maximum capacity of about 800. The hall itself comprises a semi-circular auditorium of stepped seats with an ambulatory at the rear to allow inspection of the 749 names carved in alphabetical order and without reference to rank around the inside of the back of the hall. At the back of the building, there is a separate entrance giving access to a series of music practice rooms located under the ambulatory.

Today the Memorial Hall is used for assemblies; some musical events, including the Marlborough College Concert Series; and other entertainment events such as the House Shout and the pupil-led Illumination.

Nearly 100 years of constant use has taken its toll. Diamond Schmitt Architects and FDA restored this magnificent building while also incorporating state-of-the-art technology to support the performing arts — a £5M project. The restoration was completed in time to commemorate the end of the First World War in July 2018.

  • Client: Marlborough College
  • Architect: Diamond Schmitt Architects
  • Completion Year: 2018
  • Location: Marlborough, Wilts, United Kingdom
  • Capacity: 560 seats

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Harvard University | Lowell Hall

Harvard University | Lowell Hall


To create a new 352-seat performance space for music and a larger, more comfortable lobby, a portion of the old pitched floor was demolished in an existing university lecture hall building originally built in 1902. The floor height was raised to create a sufficiently large rehearsal and performance area, and a new maple floor laid over three feet of fiberglass fill to create acoustic separation from the rehearsal/seminar space in the basement.

The seating creates an intimate, theatre-in-the-round experience that works for both performances and lectures. New raised seating risers improve sightlines and relate well to the balcony above. A “performance wall” provides a screen with hinged doors for hidden instrument storage.

In the balcony, re-configured and raised seating risers improve sightlines, and perimeter acoustical curtains provide variable acoustical control for speech and music, and room darkening for lectures.

  • Client: Harvard University
  • Architect: Robert Olson & Associates
  • Completion Year: 1994
  • Location: Cambridge, Massachusetts
  • Acoustician: Kirkegaard & Associates
  • Capacity: 352 seats

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Detroit Opera House

Detroit Opera House


When the Michigan Opera Theatre needed to expand, it acquired the historic Grand Circus Theatre (built in 1922), along with two adjacent office buildings and three parking lots. Its plan was to restore the auditorium and expand audience and performer amenities to assure the future of the highly successful Midwestern opera company.

To achieve all this, a new 12,000-square-foot stagehouse and lobby were constructed, and adjoining towers incorporated into the complex as dressing rooms, patron service areas, and offices for the opera staff. The interior of the Grand Circus Theatre was carefully restored to its original decorative grandeur.

Renovation was completed in phases. The existing stagehouse, was rebuilt with an ample 65-foot stage depth and 110-foot proscenium opening (wing to wing). Now, MOT has a world-class, 2,700-seat opera house which boasts the largest stage and the most comprehensive technical capability of any theatre in the region; it can mount grand productions with ease. As part of its work, FDA designed and specified new rigging and stage lighting systems and controls that will serve the opera well into the future.

  • Client: Michigan Opera Theatre
  • Architect: The Albert Khan Collective
  • Arch. of Record: James P. Ryan & Partners
  • Completion Year: 1997
  • Location: Detroit, Michigan
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 2,700 seats

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SUNY Purchase, Center for Integrated Technology Learning

SUNY Purchase
Center for Integrated Technology Learning


This project integrated the Theater Arts & Film programs and unified the various programs scattered throughout the campus. Portions of the new CITL occupy existing space under an exterior plaza, previously used for storage and receiving. The CITL includes black box theatres, screening rooms, performance studios, production and editing studios, film classrooms, and faculty and administrative space. The facility provides a new entry pavilion and gathering space, designed to connect the public arrival experience up through the plaza to the heart of the campus. Natural light fills the new center, providing a transparency and contrast to the surrounding architecture and consequentially increasing visibility for the Film, Theater, and Media programs.

  • Client: State University Construction Fund
  • Arch. of Record: FXCollaborative
  • Completion Year: 2017
  • Location: Purchase, New York
  • Building Size: 75,000 s.f.

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Richard Stockton University, Elizabeth B. Alton Auditorium

Richard Stockton University

Elizabeth B. Alton Auditorium


Completed in 2009, the former A-Wing Lecture Hall is now the Elizabeth B. Alton Auditorium: a 6,000-sf gut renovation/adaptive reuse of an existing one-floor auditorium space. It has been transformed into a 276-seat, tiered lecture hall and performing arts center. It features a high-performance audio and video system to accommodate live performances, as well as lectures and seminars. The project utilized the existing shell and opened it up at the primary viewing wall to introduce a two-story window wall that provides views to the nearby forest and lake. The main entrance to the space was moved from the first floor to the second floor; a small foot bridge was constructed for access from the main gallery.

  • Client: Richard Stockton University
  • Architect: Mills + Schnoering Architects, LLC
  • Completion Year: 2009
  • Location: Galloway, New Jersey
  • Building Size: 6,000 s.f.
  • Capacity: 276 seats

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Florida Memorial College | Lou Rawls Center for the Performing Arts

Florida Memorial College
Lou Rawls Center for the Performing Arts


Florida Memorial College dedicated its renovated and refurbished performing arts center to singer Lou Rawls, 69, who, in the past few years, has forged a strong relationship with the college.

The Center contains a 450-seat theater, with state-of-the-art lighting, rigging, and sound systems. Construction included renovation of the existing auditorium and major additions to the facility, including a new full-height stagehouse. Seating was completely reconfigured to meet ADA accessibility requirements, as well as to assure excellent sightlines. And finally, a new dressing room and an intimate outdoor performance area were added.

“There’s not a bad seat in the house,” said Gary Parker, director of facilities management and plant operations for the college. “For a campus our size, it’s a gem.”

The multipurpose center was financed with grants from the Miami-Dade Cultural Arts Council, the State Cultural Arts Department, individual donors and the Bush Foundation, a private foundation based in St. Paul, Minn. that supports historically black colleges.

  • Client: Florida Memorial College
  • Architect: R.J. Heisenbottle
  • Completion Year: 2004
  • Location: Miami, Florida
  • Acoustician: Artec
  • Capacity: 450 seats

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Hult Center for the Performing Arts | Silva Concert Hall

Hult Center for the Performing Arts
Silva Concert Hall


A 2,500-seat multipurpose theatre and 500-seat drama theatre comprise the Hult Center, one of the nation’s most active and successful performing arts complexes. Since it opened in 1984, the Center has been credited with playing a significant role in helping to revitalize Eugene’s economy, from the mid ’80s, when the city was economically depressed through present day.

The spacious 2,500-seat Silva Concert Hall is a multipurpose proscenium theatre with a horseshoe-shaped auditorium flanked by curved loges, a mezzanine, and balconies. The smaller Soreng Theater has a flexible proscenium that allows smaller companies a range of possibilities for experimental staging.

FDA took a lead role in shaping the design of the two halls, developing functional and attractive seating plans that break down the scale of the large hall, and creating smaller, more intimate seating groups. Additionally we designed and specified rigging and lighting equipment and helped the archtitects carefully integrate the equipment into the room’s architecture.

  • Client: City of Eugene, Oregon
  • Architect: Hardy Holzman Pfeiffer Associates
  • Acoustician: Jaffe Holden Acoustics
  • Completion Year: 1982
  • Location: Eugene, Oregon
  • Lighting: Fisher Marantz Stone
  • Building Size: 120,000 s.f.
  • Capacity: 2448 seats

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Harvard University | Farkas Hall

Harvard University | Farkas Hall


Leers Weinzapfel Architects and FDA were charged with renovating the former Hasty Pudding space. The design team quickly realized that the “renovation” would involve much more than a few repairs, new seats and a coat of paint. Large portions of the building’s structure would have to be replaced, and the building had to somehow grow to provide new or expanded spaces for public and performer accommodations, a larger stage, new HVAC systems, and other requirements mandated by codes.

Patrons will see the brick building they’ve known for years. However, behind the renovated front portion is an entirely new building. The theatre, as renovated, is a dynamic, contemporary space with steeply-raked seating, lighting catwalks, control booths, and a new orchestra pit.

The theatre has twice as much space as the original, a remarkable achievement considering that the building is landlocked on three sides, and any significant height increase was prohibited by the City of Cambridge. The original theater rose 50 feet above the street, and had a seven foot deep basement. The new building is 54 feet tall, with an additional 40 feet underground. In addition to the public and backstage support spaces, Farkas Hall has a new rehearsal room, prop shop, offices and meeting rooms.

  • Client: Harvard University
  • Architect: Leers Weinzapfel Architects
  • Completion Year: 2007
  • Location: Cambridge, Massachusetts
  • Acoustician: Acentech
  • Capacity: 280 seats

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Clay Center, Maier Foundation Performance Hall

Clay Center, Maier Foundation Performance Hall


The Clay Center, in West Virginia’s capital city of Charleston, was inspired by the desire to bring a wide range of cultural events to the region.

The 1,883-seat world-class Maier Foundation Performance Hall houses the West Virginia Symphony Orchestra. Maier Hall also accommodates a range of performance types including Broadway shows, without sacrificing intimacy or sightlines.

FDA contributed to all aspects of the project’s design, including helping plan and design the 55 foot wide, 45 foot deep stage to allow diverse production styles. The double pit lift enables the technical staff to raise or lower two sections of flooring either individually or together. When the seats are removed and both lifts are raised into position, the stage can be extended into the audience. When they are lowered, an orchestra pit is created for musicians to accompany either a theatre performance or a Broadway show.

The 200-seat black box theatre in the complex doubles as a rehearsal room and is the site of a range of community events, rehearsals, recitals, drama, and dance.

  • Client: The Clay Center
  • Architect: Calloway Johnson Moore West
  • Completion Year: 2003
  • Location: Charleston, West Virginia
  • Acoustician: Jaffe Holden Acoustics
  • Building Size: 227,000 s.f.
  • Capacity: 1,883 seats

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Regional Center for the Arts, Trumbull

Regional Center for the Arts, Trumbull


The Regional Center for the Arts (RCA) is a part time public interdistrict magnet high school for Fairfield County students interested in the performing arts. RCA promotes voluntary integration by encouraging collaboration and cooperation among socioeconomic and ethnically diverse school district.

In the fall of 2007, C.E.S. opened a brand-new state-of-the-art facility for RCA students. Located at 23 Oakview Drive in Trumbull, the new Regional Center for the Arts building has a 250-seat main stage, a 100-seat intimate studio theatre, seven classrooms for music, musical theatre, acting and voice, six dance studios, and two music rooms to accommodate music ensemble and jazz band rehearsals.

Currently, 212 high school students in grades 9 -12 from Bridgeport, Fairfield, Trumbull, Norwalk, Greenwich, Stamford, Stratford, New Canaan, Monroe, Darien, Fairfield, Wilton, Ridgefield, and Shelton school districts attend.

  • Client: Cooperative Educational Services
  • Architect: JCJ Architects
  • Arch. of Record: Wiles Architect
  • Completion Year: 2007
  • Location: Trumbull, Connecticut
  • Acoustician: Jaffe Holden Acoustics
  • Building Size: 49,000 s.f.
  • Capacity: 250 seats

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